JEB-ATC2003.04.01-06

August 12th, 2003

Symbols as writing prompts

tree

celtic cross

borromean rings

cup (goblet)

salmon

(07) Instructions

(08) Alternative consideration symbols. sterotype, connotation

JEB-SAW2003.04.01: Hand with Lotus (For Kimberly)
2003/08/16
Higgins non-waterproof ink (which didn’t get along that well with the frisket), soft pastels.

JEB-ATC2003.04.01: Hand with Lotus

History

2003/08/16: drew “Hand with Lotus” in Higgins permanent ink with Globe nib. I was surprised how thick the permanent ink was compared to the non-waterproof. It coats the pen and dries up on it whereas the nonwaterproof beaded up. I researched northwestern North American portrayals of the salmon. ( here and here.)

Digital Image Libraries

August 12th, 2003

I will be accumulating links to digial image archives here. I have lost so many collections by trying to keep track of them in browser bookmarks — this will hopefully be a safer home.

* NOAA Photo Library:
Over 20,000 images. I found wonderful snowflake images here. To start exploration of the collections, consider the etchings of marine creatures in this collection.
Public domain, although they request credit to “National Oceanic and Atmospheric Administration/Department of Commerce unless otherwise instructed to give credit to the photographer or other source. ”
[030812]

* Prelinger Archives:
Moving images cleared for the public domain. If you’ve got the tools to pull a still out of one of these, you have a wealth of “retro” photographs at hand.
“Any derivative works that you produce using these films are yours to perform, publish, reproduce, sell, or distribute in any way you wish without any limitations.” Rick Prelinger is a great advocate for the Creative Commons.
[030812]

* http://images.usace.army.mil/historical.html

* San Francisco Historical Photograph Collection:
They have some forms for reproduction and publication (which is $15) requests.
[030812]

JEB-ATC2003.03 Research

August 11th, 2003

I was looking up the word “twee” some time back, to make sure it meant what i thought it meant. I enjoy using the online version of the OED, available through my public library’s website. I became distracted by words that started with “twa” — such Anglo-Saxon sounds, such Old English roots. The letter W — how unlike, in name, the other letters. A little web research (yes, the WWW) led to confirmation that my hunch was correct. W, in various sources, became a letter in the tenth or eleventh century (QV here)

So were i to do calligraphy in homage to the Anglo-Saxon sound of the W, what script should i use? Carolingian seems appropriate, although French is not Anglo-Saxon! (QV here)

Research for terms in the OED

TWIT, v, To blame, find fault with, censure. (1530) Root is OE. wítan to blame, reproach

TWILL “A woven fabric characterized by parallel diagonal ridges or ribs, produced by causing the weft threads to pass over one and under two or more threads of the warp, instead of over and under in regular succession, as in plain weaving.” (1329) OE. twili, derived from the L. bilix

WEAVE “1. trans. To form or fabricate (a stuff or material) by interlacing yarns or other filaments of a particular substance in a continuous web; to manufacture in a loom by crossing the threads or yarns called respectively the warp and the weft. Also with obj. the web itself, a garment made up of such a stuff or material. ” (c900) OE. wefan, pa. tense wæf, pl. wa’efon, pa. pple. wefen Indogermanic *webh- (:*wbh- :*ubh- The same root occurs in web (and abb), weft, woof.

WARP [OE. wearp warp in weaving :OTeut. *warpo-, f. root *werp-: *warp- to throw: see WARP v. ]

I. 1. a. Weaving. The threads which are extended lengthwise in the loom, usually twisted harder than the weft or woof, with which these threads are crossed to form the web or piece.

c725

WARP, v, [A Com. Teut. str. vb.: OE. weorpan (wearp, wurpon, worpen) corresponds to OFris. werpa (worp, wurpon, ewurpen), OS. werpan (warp, wurpun, worpan), Du. werpen (wierp, worpen), OHG. werfan (warf, wurfun, worfen), MHG., mod.G. werfen (warf, wurfen, geworfen), ON. verpa (varp, urpu, orpenn), Sw. verpa, Da. verpe, Goth. wairpan (warp, waurpum, waurpans); f. OTeut. root *werp- (warp-, wurp-):pre-Teut. *werb-; the root is not found outside Teut.
The strong conjugation did not survive in Eng. later than the 15th c.]
I. To cast, throw.
1. a. trans. To project through space; to cast, throw, fling. Obs. c888

WEFT, n, [OE. wefta wk. masc., weft str. masc., ? wift fem., corresp. to ON. veptr masc., vipta fem., weft, MHG. wift masc., fine thread; repr. OTeut. types *wefton-, *wefto-z, *wefti-z, f. *we- to WEAVE.]

1. Weaving. The threads that cross from side to side of a web, at right angles to the warp threads with which they are interlaced: = WOOF

WAX, v, [[A Common Teut. strong verb (which became weak in late ME.): OE. weaxan (pa. tense wéox, Northumb. wóx; pa. pple. weaxen) ] I. To grow, increase. (Opposed to wane, wanze.)

WANE, v, OE. wanian (wnian) wk. vb. to lessen (trans. and intr.) I. intr. To grow less, decrease. (Opposed to wax.)

WIDDERSHINS, adv, [a. MLG. weddersin(ne)s (cf. wedersins ‘contrario modo’, Kilian), a. MHG. widersinnes, f. wider- WITHER-1 + gen. of sin (esp. MG.) = sind, sint way, direction (see SITHE n.1): cf. MHG. widersinnen to return. In sense 2 associated with son, SUN n.1]

1. In a direction opposite to the usual; the wrong way; to stand or start withershins, (of the hair) to ‘stand on end’. Obs.

LilyRobe Gift

August 10th, 2003

Earlier this week i isolated the image of the one blossom lily from the photo of the fabric pattern. [Mom's birthday gift -- a robe.] I’ve some pretty blue-green papers that match the flower stem and leaves, so i think i’ll try making a collage card…. An unused wedding invitation (over eleven years old!) with a heavy fiberous paper glued with the deckle side exposing the opening edge of the card. I’ve got a rectangle of Flax paper in brown, and a blue green piece from a bag trimmed down with the Victorian rotary blade.

2003.03: Malinda Welte

August 9th, 2003

Trade 2003.03: individual trade with Malinda Welte
3; no theme
Submitted JEB-ATC2003.02.03 and 07,08 on 2003/08/10

JEB-ATC2003.02.07-09

August 9th, 2003

See JEB-ATC2003.02.01-06 for more cards in this series.

Sky Interaction
Click for thumbnails of the whole series

JEB-ATC2003.02.07 : Interaction
2003/08/09
Yesterday’s experiments in weaving merged with my memory of doodles when i was growing up — concentric shapes, interleaving. Here, i’ve woven shapes that have been sliced into concentric shapes, all from the same photo of feral cabbage, pillow basalt, and Pacific ocean. Some tape was used to stablize while weaving. Remaining bits of the photo were mounted as a background with Avery Permanent Glue Stic. The collage was then mounted using Mod Podge with a protective coat over the top.

Notes shared with ATC-hub

JEB-SAW2003.02.01 : Lighthouse Interaction
2003/08/09
My spouse really liked the direction of Interaction until i trimmed the edges. This work is for us to keep, from two photos: one of Point Bonita lighthouse, one of the sun pillar sunset.

JEB-ATC2003.02.08 : Point Bonita Lighthouse
2003/08/09
Photo mounted with Avery Permanent Glue Stic.

JEB-SAW2003.02.02 : Red Roof
2003/08/09
Photo mounted in card frame with Avery Permanent Glue Stic. (I’d made note cards with digital reproductions of this image before.)

JEB-ATC2003.02.09 : Sky Interaction
2003/08/09
As with Lighthouse Interaction, with the remnants of the photos.

JEB-ATC2003.02.01-06

August 8th, 2003

Headlands Sunset
(Click for the series album)

This series uses the photos from roll 2002-11, a series of photos shot around the Golden Gate. Let me note that “Golden Gate” applies to the strait that connects San Francisco Bay to the Pacific Ocean. The Golden Gate Bridge straddles the most narrow part of the strait; on the ocean side the strait widens out into a shape like a “u” on it’s side, the wide opening facing west towards the Pacific. The bridge and the opening to the bay is where the u’s descender is, to the north. South of the bridge and running roughly north to south is Baker Beach, a sandy stretch scoured by the fast currents that speed in and out of the bay with the change of the tides. The northern side of the strait is lined with the high bluffs of the Marin Headlands. The westernmost point is called Point Bonita and is the site of a lighthouse. The southern side of the strait is lined with the mansions of the Sea Cliff neighborhood and the greens of the Lincoln Park golf course. The southern entrance of the strait is marked by a navigational light called Mile Rocks. What once was a distinctive lighthouse has been replaced with a orange and white cylinder topped with a helipad. From Baker Beach it is very hard to appreciate the scale of this marker!

Original Photo Notes

Film: Kodak MAX 400
Camera: Minolta Maxxum 5.
Developer: York Photo Labs
View original photos here.

Frames 1-4 of this roll are of a sun pillar over Point Bonita at sunset on 2002/06/07.

Frames 6-21 were taken out at Point Bonita on 2002/06/08. I was experimenting with a Cokin filter (123).

Frames 22-25 were taken on Baker Beach 2002/06/15, northward towards the Marin Headlands. I was experimenting with polarizing filters that day (circular polarizer, then with the red/blue polarizer).

Series Notes for 01-06

(Series will close when all the original York printed photos have been used up.)

JEB-ATC2003.02.01 : Ocean Twill
20003/08/08

Two shots at Point Bonita, one with a blue filter to tint the sky (and also change the amount of light from the bright, hazy sky), one without. Aligned, sliced into quarter inch strips and woven as a twill. Tape used to stabilize the back of the weave. Mod-podge gloss applied to back of photo weave and to cardstock, wrapped in parchment paper, pressed under book. Taken out 15-30 min later to have Mod-podge appled to the end of strips that are on the top of the twill at the edges. Pressed in book again.

JEB-ATC2003.02.02 : Sun Pillar
2003/08/08

Three shots of the Sun Pillar, assembled in narrow strips.

I’m not thrilled with the mitering job here.

JEB-ATC2003.02.03 : Sunset Twill
2003/08/08

From the same three shots, as with Ocean Twill

JEB-ATC2003.02.04 : Sunset Check
2003/08/08

From the same three shots, as with Ocean Twill but different weave.

JEB-ATC2003.02.05 : Headlands Sunset
2003/08/08

Remaining strips of the sunset photo attached to cardstock with Avery Permanent Glue Stic. Embelished with Daler-Rowney Perlescent liquid acrylic (Birdwing Copper and Dutch Blue) and Higgins non-permanent black ink.

JEB-ATC2003.02.06 : Pillows & Cabbage

Photo mounted with Avery Permanent Glue Stic

The interpretive text at the lighthouse points out that the cabbage that grows wild is descended from the garden of the lighthouse keeping fmilies from years ago. The rock behind the cabbage is pillow basalt, formed when lava wells up under water.

JEB-ATC2003.01.01-07

August 8th, 2003

Star Window 03
The image links to thumbnails of all seven cards

This series is closed.

(See Eliza Badurina’s ATC Trade)

I poked a bit at stars in Norse mythology when i began contemplating Eliza’s theme, but the few stories where stars come into play didn’t quite catch my fancy. I then turned to Barbara G. Walker’s The Woman’s Dictionary of Symbols and Sacred Objects. Section five, Multipointed Motifs are where i found representations of all of the window stars. Still, while Walker provides an interpretation for all the stars, it was flipping through Miranda Lundy’s Sacred Geometry that the idea to do the star windows came to mind. Not only does she have some simple ruler and compass instructions for sectioning a circle into seven and nine, she also has a diagram showing the geometric construction of a church window.

The drawings are done in Higgins non-waterproof ink with a copper plate nib labeled “426″ and some Japanese characters. The colors are Daler Rowney’s Pearlescent liquid acrylics (birdwing copper, silver moss, dutch blue, moon violet). A few of the cards are touched with Dr Ph Martin’s Iridescent calligraphy colors 12R iridescent white.

2003.01: Eliza Badurina

August 8th, 2003

Trade 2003.01: hosted by Eliza Badurina
5-10; Theme: STARS/ASTROLOGY/STAR MYTHS
Submitted JEB-ATC2003.01.01-07 on 2003/08/02.

Backing for photographs

August 5th, 2003

MW recommended any archival PVA. It appears that my latest glue stick, Elmer’s Craft Bond Acid Free is in this class. (This to That is a fascinating glue site i stumbled across when looking for advice for a glue to adhere semiprecious stones to metal.)

k recommended spray adhesives and recommended 3M, Elmers or Krylon brands.

Pros: Extremely strong – no worries about seperation. Quick Drying.
Con: Enviro-unfriendly. Extremely strong bonding (don’t glue your
fingers together!) Toxic chemicals present.

CK’ s description of the Xyron got me terribly curious. The corporate site has a chart of all their products: http://www.xyron.com/products_chart.php I did some poking about on eBay. There have been several sales of the 500 model (list $35) for under $10. A patient bidder could probably get the machine for half list.

It’s pretty clear that like razors and inkjet printers, the profit is in the refills. All i really wanted, before i knew this very cool gadget existed, was to be able to run a sheet of labels through my printer and then put them on the back of my photos. HP white letter-sized labels run $11 at Office Max. It’s well over twice the area of the adhesive rolls the Xyron uses at half the list price. The photo quality Aveery labels for a full letter sheet size are just under twice the area of the Xyron cartridge.

Admittedly the Xyron has far more flexibility than inkjet labels and seems like it’d be fabulous in a great number of projects. Not in the least is how it would be a wonderful way to adhere cardstock to the back of photos, exactly what i was looking for.

XYRON 500 (XRN500) List: $34.99 eBay $10-15
Width: 5″ / 12.7 cm
Acid-Free Permanent Adhesive 18′ Cartridge (1080 square inches)
Part Number: AT1505-18 $14.99

XYRON 505 (XRN505) List: $49.99 Width: 5″ / 12.7 cm

XYRON 510 (XRN510ATP) List: $49.99 eBay $25-30
Width: 5″ / 12.7 cm
Acid-Free Permanent 18′ Cartridge for Xyron 510 (1080 square inches)
Part Number: AT1605-18 $17.99

HP Inkjet White Full Sheet Labels 8-1/2″ x 11″ 25/BX (2337 square inches)
Item # 20394510 , Style # Q2550A $11 at OfficeMax