Still slowly returning

April 9th, 2004

I suppose i should take photos of the furniture staining i’ve done. YesterdayToday i went to Home Despot (as my brother calls it) and had some wood sliced up to be additional bookshelves. I’ll need to stain the plywood.

Sunday i bought three small herb plants for the container garden. I’ve decided my garden is also part of my creative expression, so i suppose i’ll document it’s development here, too.

I’m staying at home today with a slight fever and needing rest from a continuing low grade health issue. As i was settling in, one of the Grey Cats settled in, and i felt the need to document my cosy rest space. The image was supposed to be 600 pixels wide, but i screwed up with photoshop. It’s 800+.

I think we hung the lights Monday night. The table the tea is on is one of the ones i’ve stained — The color looks warmer in the halogen glow, just as GreyBrother looks orange. The birch dressers are part of the IKEA assembly effort. The motorcycle jacket (Glowing sleeve piping)is on my manikin. The book case is the one that needs more shelves.

I think we want to go to pale turquoise and less deep plum shades for the bedroom over time. I’m going to make a “headboard” by hanging a long pillow on a curtain rod. First step is picking out fabrics for the pillow case. I think we’ll also go for some sort of concentric circle theme.

Just for the record, the Raggedy Ann and Andy pillowcase is an antique from my childhood.

Back on the air

March 30th, 2004

Our home server (connected via DSL) has been turned on, and all booted up well. We need to move the rack shelving again and come up with a more sensible wiring plan for the office, so all is not back for good. We’ll have an outage at some point when X rewires everything.

We have almost completed relocating all of our stuff here. Our creative work is currently figuring out the new configurations of furniture and tools and stuff.

I did reflect some on our easel this morning in my digital journal:

In our old apartment we had a third “bedroom” that was a guest room/studio — except over the last six months it turned into a chaotic storeroom (as it had at other times, as well). It was too easy to shunt boxes and half completed projects into the room and close the door — blocking access to the easel and the sewing machine.

We don’t have that third room in this apartment, so the “studio” aspect will be integrated into our other rooms. The easel is now in the bedroom, where i can contemplate it in the dim morning light. Right now this experiment in acrylic painting is on it, unchanged from its August state. I probably need to buy a new palette as the previous one, while designed to keep paints fresh for beyond a week, probably doesn’t manage between August and March.

The easel itself is a wonderful thing. We bought it at a yard sale in Philly — right next door to our Cedar St apartment — for $35. There we carried it up to our attic which functioned as X’s studio until it too succumbed to the fate of being filled by stuff we needed to get out of the way.

In place, it’s over eighty inches tall — a convenient measurement because that is the height of the dark wood trim that wraps around the rooms. I don’t know what sort of wood it is; it’s stained dark and not polished or lacquered. It could easily hold a six foot high canvas if either X or i were to become interested in scale. “24″ is carved into the base support, “PAFA” into the bottom of the vertical support. It’s clearly from an art school — it looks nothing like the easels one can buy now. This morning i imagined lugging it to Antiques Road Show. Is it valuable merely for its utility? Or are there easel collectors, connoisseurs of easels?

For us, the easel will not disappear behind boxes and a closed door, again. It will greet us each morning — but how? I fear the easel and the sewing manikin (which flanks the opposite side of the window) will become clothes trees instead of tools. I hope that they will instead tempt both of us to create, that art will become a constant in our daily life.

PAFA and easels

We’re Moving!

March 12th, 2004

The photo server will be down until we move the machine to Mountain View sometime next week. Meanwhile, the server on which this blog software resides will also be moving from one host to another, in Texas.

I’ll be notifying friends of the new address, and it’s corrected at Nervousness. ATC-HUB won’t let me correct, but i wrote the list owner.

Calculation of Life

February 16th, 2004

I made this polymer clay object over four years ago — possibly eight years ago.

We’re beginning packing in preparation to move. I find this too clumsy to want to display, and decided i would throw it out after documenting it. I like the idea, but would like to execute it with a little more skill some time.

Card Key Holder

February 1st, 2004

I lost my card key at work last Wednesday — I had it when i left for lunch, but it had fallen out of the holder on the lanyard around my neck by the time i returned to work. This was the impetus i needed to make the key holder i envisioned just shortly after the offices moved: a beaded necklace with a holder from silk sample squares. I’m about half way done.

On Friday, i went through the silk squares and my beads, settling on doing something with the blue glass beads and finding a few squares of silk that were close to the right shade of blue. Gold just seemed the right contrast choice, although i rarely wear gold.

On Saturday,we stopped at Global Beads in Mountain View. I knew i needed some more beads just to make the necklace long enough to slip over my head, and i knew some accents wouldn’t hurt. The seed beads were a little smaller in diameter than i had envisioned, but they’ve turned out just fine. I found a few coordinating embellishments (Cat’s heads and a Chinese coin in gold tone glass with metallic highlights — and two blue fish with metalic highlights.) At Eddie’s Quilting Bee I bought some blue and gold thread — and left it on the counter. Duh.

When I got home i finished the pocket with a chain stitch for many of the straight seams, thinking that might be more likely to hold the delicate silk. I just charged ahead, didn’t really measure anything except by holding up the card key. I finished off the beaded neck piece — just holding the wire up to my neck, etc.

The last bit is finishing off the top. Overnight it came to me that i didn’t have to hem the edge by hand — i could use fusible binding. I might switch the key out to another future holder, but having a fairly raw edge on the inside would be ok. So, since scanning the image, I’ve fused the metallic mesh to the solid silk and have sewn the coin bead on over a snap.

I sewed the base of the snap on to the pocket — backwards. It’s break time.

RAK from Russell

January 27th, 2004

Received some stamped collages yesterday from Russell Manning of Dallas, TX. You can view some of his work here and here. These are more pictoral than the on-line exhibits; he’s included some Victorian characters.

What’s up here

January 5th, 2004

I’ve been busy with the holidays, organizing my home workspace, and thinking forward to a move to Mountain View this spring. I’ve a project i’ve been working on as a gift — it should have been simple, but i made it far more complicated of course. And then the first experimental spraying with fixitive…. Well, i won’t go on.

I’ve digital photo albums I’m working on, and i completeld an article recently for Eliza Badurina’s IN(ner) Question zine. Once the zine is published, i’ll offer a copy of the article here.

2003.06: Glorified Characters

November 16th, 2003

Trade 2003.05: hosted by Alpaca
9; “Pick a letter or character from an alphabet and create 9 ATCs showcasing it.”
Submitted JEB-ATC2003.03.01,03-10 on 2003/11/16

JEB-ATC2003.03 Carolingian Research

November 16th, 2003

URLs for manuscripts in the Carolingian hand. It took far too long before i finally saw that one could search the Digital Scriptorum on the script:

http://dpg.lib.berkeley.edu/webdb/ds/search?MsID=&Script=Caroline+minuscule

http://www.humanities.uci.edu/spanishandportuguese/spanish/medievaliberia/manuscript_glossary_C-D.html

See image of Moutiers-Grandval Bible

http://prodigi.bl.uk/illcat/GlossC.asp

See entry on “CAROLINGIAN”

http://www.csu.edu.au/faculty/arts/humss/art317/manstyles.htm

States that Utrecht Psalter best known but not typical

http://www.lancs.ac.uk/users/english/palwork/week10/utrecht.htm

Utrecht Psalter

http://prodigi.bl.uk/illcat/search2.asp British Library does not have a digital surrogate for the Moutier-Grandval Bible; it does for the Grimbald Gospels.

London, British Library, MS. Add. 10546
(Moutier-Grandval Bible)
Carolingian (French), 9th Century
Die Bibel von Moutier-Grandval

Title Grimbald Gospels
Origin England (Christ Church, Canterbury)
Date between 1012 and 1023
Language Latin with some Old English glosses
Script English Caroline Minuscule (this version known to calligraphers as Cnut hand)
…Eadui Basan’s distinctive English Caroline Minuscule (known to calligraphers as Cnut hand)…

http://www.lancs.ac.uk/users/english/palwork/week10/palwk10.htm

JEB-ATC2003.03.01-10

November 15th, 2003

The background of all the images is soft pastels rubbed into the calligraphy paper. It’s a fairly common brand of paper but i’ve lost the cover.

The colored inks are the “French School” gouache applied with C-5 Speedball nib. The large text is Higgin’s non-waterproof black ink with a C-2 nib, highlit with Winsor & Newton ink in gold (C-5).

I’ve done a little research into the words depicted, and have some notes about Carolingian manuscripts.

The individual editions:

JEB-ATC2003.03.01: W is for Word
2003/10/25
The monk is inspired by an illumination of “Primat writing his book.” X made the suggestion i add another layer to the design. I like it, but i’m not sure it works post-calligraphy. The other three words from today have more intensely colored backgrounds; I don’t think they need another design element as much.

Word and the next four have the different spellings and related words from older and other Germanic languages and a few proto-Germanic roots in different shades off gouache.

JEB-ATC2003.03.02: W is for Wise
2003/10/25
(not scanned)

JEB-ATC2003.03.03: W is for Wisdom
2003/10/25

JEB-ATC2003.03.04: W is for Wit
2003/10/25

JEB-ATC2003.03.05: W is for Wax
2003/11/15
weaxan: to grow
The border is meant to imply spring leaves. I put in the moon’s change reading right to left instead of left to right (as one reads). This flaw annoys me. The purple illuminated letter is inspired by the last research i did. Apparently, one of the Carolingian schools made much use of regal purple and gold. Poking around descriptions of manuscripts i ran acroos descriptions of miniatures pained on purple paper.

JEB-ATC2003.03.06: W is for Wane
2003/11/15
wanian: to decrease
The border is meant to imply autumn leaves. See JEB-ATC2003.03.05 for more notes.

JEB-ATC2003.03.07: W is for Waggle (For Tolkein)
2003/11/15
Different spellings and related words from older and other Germanic languages in vermillion gouache.

JEB-ATC2003.03.08: Warp Meets Weft
2003/11/15

JEB-ATC2003.03.09: W is for Weave
2003/11/15

JEB-ATC2003.03.10: Wave & Weave
2003/11/15
“whether water, thread, or ink, side to side, up or down”
The motion of writing W reminds me of waves and weaving.