Archive for the ‘Today’s Log’ Category

Rice Crackers: Experiment 1 & 2

Monday, September 7th, 2009

I found a recipe for rice crackers that intrigued me. I knew wheat crackers could be easy to fix, but had never quite gotten around to the trying them. (I had spent time looking for the gadgets that you can use to perforate the crackers as opposed to slicing them into small squares.)

Today i’ve made i made my first and second attempts at rice crackers. I have “commercial rice flour” from the bin at Whole foods. Is this mochiko*? No idea. I’ll assume not.

To scale down, i use 1/2 c flour to 1/2 c of tap-warmed water and then added some more flour and a bit of brown sugar. It remained more like a batter than a dough. Instead of steaming it, i microwaved for 1 min on high. The resulting dough was stiff and reminded me of fimo. I kneaded it a little and then rolled it out between wax paper, placed it on a lightly greased pizza pan & flipped (greasing both sides).

With a pizza cutter, i made squares, and then i seasoned with a variety of sweet (more brown sugar, cinnamon) and savory (salt, cracked pepper, powdered onion).

I cooked it in a preheated oven at 350° for ten minutes (compare to “dry outside on mats in the sun”). The thinner ones at the edge were a bit hard and crunchy, the middle were chewy. Undercooked. One could just see where they might begin to “blister” (think of surface of saltines).

Christine put the remainders of the samples back in at 450° for roughly ten minutes. They turned golden, but were still a little tough.

The second experiment 1/2c flour to 1/2c warm water which i left in a battery state and microwaved on high for 30 seconds. The remarkable thing was the clear ring of where the microwaves heated the batter at the greatest strength: this was stiff like the earlier batter. The remainder was more like a thickened cream of wheat. I mixed this up and had a much sticker dough to which i belatedly added a bit of brown sugar.

Once it was kneaded to a smooth consistency (using more rice flour to protect against the stickiness), i started flattening, spraying with canola oil, folding, and flattening again. I’m hoping for flaky inner layers where the sheets of rice flour are fried by the inner layers of oil.

I rolled out — which was easier with this softer doug — cut and seasoned, and baked at 450° F for 16 min.

If anything, it’s the hotter oven temperature that made for the more successful trial. I’m not sure the oil needed to be incorporated. They definitely satisfy a desire for a crunch, and can be comfortably salty/savory or sweet. The thinner they are, i think the crisper, although i wonder if my small oven just bakes more hot on the outside edges.

I will probably try these again.

* Mochiko flour is also known as sweet glutinous rice flour, sweet rice flour, or mochi flour. — http://www.recipetips.com

Hassock Cosy

Sunday, August 30th, 2009



Hassock Cosy

Originally uploaded by Elaine with Grey Cats.

The hassock cosy is so imperfect in so many ways, but it is done done done! It is fun, and even though the couch is a different green, the previous hassock was a color similar to the side drapes. I did buy more yarn — four skeins of chocolate, two of the green, and a mustard — on eBay, from which i plan to make some cushion covers for the cushion on the chair and perhaps a mini-afghan for Greycie Loo to be enthroned upon.

Many business meetings went into making the sides of the hassock cosy!

To Dye For: Experiment #2

Monday, July 27th, 2009

Yesterday i tested the same dye concentrates as in To Dye For Experiment 1, but many weeks older. The statements are that the concentrates keep their strength for a week, possibly longer if refrigerated.

I’ll admit i did not bring the dyes up to room (deck) temperature. Both the azure & the emerald should have better intensity with warmer water. I’ll admit, though, the azure is doesn’t need to be more intense.

A, B, & C are attempts at diluting the dyes to get a pale shade. The emerald C seems almost the same intensity as full strength I.

D, F, & H are from the previous dye sessions, as controls to see how the color changed with time.

G, the orchid, stayed close to true with time. E, the blue, lost its strength, which is actually quite useful. I, the emerald, seems to have not just faded but also drifted some. The emerald dyebath was the first yesterday, so i don’t think it’s a contamination issue.

A, G, & I are also attempts at "faux ikat dyeing," inspired by Linda La Belle’s The Yarn Lover’s Guide to Hand Dyeing.

(Click through to see the threads from experiment #1)

To Dye For: Experiment #2

(more…)

To Dye For: Experiment #1

Sunday, July 5th, 2009

To Dye For: Experiment #1

To Dye For: Experiment #1To Dye For: Experiment #1To Dye For: Experiment #1To Dye For: Experiment #1

Began making up dye on Friday and dyed off and on on Saturday.

After the cut, reports on the yarn & thread experiment and the glue resist experiment.
(more…)

Yogurt pie

Sunday, July 5th, 2009

I have a recipe clipping from the 90′s for a yogurt pie prepared in an 8″ graham cracker crust. The pie had the ratios of 1/2 packet of gelatin to 1 c water to 1c yogurt to 8 oz of cream cheese, and i’d often made it with mixed berries. I made it several summers in Philadelphia but haven’t felt much motivation since moving to California until now.

I found a second recipe that looked interesting, and i used up the last of the gelatin making it. (I was intrigued by the pineapple-gelatin combination, but then read that the problem is with *fresh* pineapple.)

Since i’d wanted to replace the gelatin with a vegetable gelling agent, i gave tapioca a try in a berry variation. I used ratios more like the new recipe, which did not call for cream cheese. I’m not sure i prepared the MINUTE® tapioca appropriately: it said it could be microwaved on high for ten minutes, stirring every three minutes. I think this may have overcooked it. It seemed very gelled when done, but when mixed in with the yogurt i think it did not reset. I poured it over blueberries and laid out stripes of sliced strawberries across the top.

The first “pie” provided a good control case to compare to the tapioca-yogurt mix. It certainly gelled and could be cut with a knife, leaving solid bar shapes. The tapioca-yogurt mix retained some definition, but couldn’t be served retaining shape. Since i was leaving out crusts in both cases, if the texture doesn’t change much it begs the question of why not just flavor the yogurt and be done.

Both were yummy though!

Quick research this afternoon suggest that cornstarch may set up more firm, but needs a higher gelatinization temperature.

Mixing yogurt with something hot deserves two points of attention. one is that the active cultures die above 120° F, the other is that non-fat yogurt will curdle.

More about gelling agents, and pineapple & gelling agents, after the cut.
(more…)

Marshall Creek, Ben Lomond, CA

Saturday, June 13th, 2009



Marshall Creek, Ben Lomond, CA

Originally uploaded by Elaine with Grey Cats.

Apparently, i did not blog about the Intensive with joe Decker in April of this year. I’ll admit things have flown by this year with conferences and retreats and events. Last weekend i was at the Quaker Center in Ben Lomond, CA, a retreat center in the Santa Cruz mountains, and during the free time in the afternoon, i tried to take some redwood creek photos informed a little by the intensive. Mostly, i realized i really needed a tripod. I made do with my purse (what i carried the water bottle and binoculars in). More from that series here.

Skein Diameter: Help!

Sunday, May 31st, 2009

Is there a standard understanding of what diameter means with respect to skeining yarn? I would assume that it means the length of the skein, the long dimension of the ovoid shape. It’s just that as i read the instructions and look at the pictures in Linda La Belle’s The Yarn Lover’s Guide to Hand Dyeing it seems that the pictures show skeins that seem like they must be different than deduced from that definition.

For example, reviewing the “faux ikat dyeing” technique, a total of 140 yards is to be skeined into a 10 yd diameter skein. My interpretation of diameter would then mean that a circuit was 20 yards, so the 140 yards would make seven circuits. The illustration shows more than seven strands in the circuit, though, and the resists applied more closely than the two per yard calculated from the 40 to the skein would produce if the skein is 20 yds in circumference.

Also, must find what a larks head knot is. It’s part of the instructions but never described.

To Dye For

Monday, May 25th, 2009



Altered Shirt, step 1

Originally uploaded by Elaine with Grey Cats.

On Sunday we went to Goodwill and i picked up a bunch of white cotton shirts, including two men’s shirts. These are all destined for the dyebath (although i’m wearing some in the pristine whiteness until i spill tea on them).

This is a men’s shirt which i have altered through the following steps:
* removed all the buttons
* removed cuff and collar
* turned the button placket under and stitched through; then ran a line of stitches up the edge
* turned under where the collar was and stitched that down
* ran a row of single crochet-chain stitches up the front seams
* anchored the collar single crochets in the seam stitch by reaching down in front and then in back, alternating.
* crochet single crochet – chain stitches

I want to crochet out a lacy band up and down the front, and make a simple band collar. I’m not sure how i’ll manage the sleeve cuff. Probably just a very narrow trim and a loop & button.

Resistance is Futile

Sunday, May 17th, 2009



Dharma090517

Originally uploaded by Elaine with Grey Cats.

Thanks to Kimberly Swygert’s stained white denim jacket, i spent the weekend researching low-water immersion dyeing with a few excursions into how a simple resist might work.

The start was finding that Dharma Trading Company has clothing blanks — undyed clothing ready to take the lovely dyes. But better than than: much of the cotton clothing is assembled in the USA and the company makes an effort to avoid sweatshop conditions in their Indonesian sources for rayon clothing. They’re venturing to bamboo fabrics (essentially a type of rayon) as well. I found myself imagining extreme projects of wardrobes from bolts of undyed organic hemp and sweaters from the undyed yarns offered. I’ve reined myself in to three pairs of socks, a bunch of bandanas, and a tank top. And two skeins of sport- weight yarn.

Tray dying is a type of low-water immersion dying, where just the bunching of the fabric in the tray creates resists. This shows stitching as a resist — and i realize that the sewing machine could help these more delicate cousins to the ever-present tie-dye scale. I understand batik from the time spent making pysansky. And time is the issue there, oh the effort of melting wax. One fiber artist, Paula Burch, points to electric frying pans and appropriate mixtures of beeswax and paraffin, and then there’s boiling the fabric to release the wax — no thanks. But a little note at the bottom about glue resists triggered my imagination.

I found a workshop description noting that ,”[t]echniques include: oatmeal resist, flour resist, cornstarch resist and household glue resist,” but no photos. A silk painting fiber artist described a bit of using glue but a struggle to get it out. Yet, she was doing oh so gently handled and painted silk. The low-water immersion method with procion dyes requires several rinsing steps (low water is relative). That might mean that the resist would need to be reapplied every time — which actually could be quite fascinating in that dyes could go down on bits of fabric that had previously had resist, producing areas with multiple true dye colors.

The diamond+squiggles pattern is a rough experiment in how the transparent procion dyes might layer in an overdying situation. I have resisted beginning a stencil template laser cut from Pokono (but i spent time looking through my collection of global clip art books, and oh, the Japanese seal designs appealed to me). First, actual experimentation would be needed to see how well resists work to see how fine a line could be kept (without going to harder resists like gutta and wax).

The colors in the diagram are grabs from the digital swatches at Dharma. The transparency is just a guess, and my mouse drawn lines are made with less control than i could with an actual brush or applicator. I left some errors, though, just so i could see the effect. The colors don’t show the potential effects from mottled scrunched fabric. My original vision of subtly varigated solids gives way to explosions of pattern and color.

As a final note, i’m not starting with the warm and cool primaries as often outlined in hand dying tutorials. I get my color blending fix from Golden paints, so spend some time looking at the colors predicted as being in next fall and winter and then realized what i really ought to do is look at the beads i’ve bought but haven’t used. Generally, i find myself thinking, “What will i wear with them?” The emerald and sapphire seem to come close to the green and blue glass beads at hand, and i think the copper cording and wire would work well too.

I haven’t placed my order yet. I stay my hand, thinking about WHEN i could do this, recognizing that i’m not sure when i’ll have time to do this. On the other hand — i’ve spent all weekend thinking about it!

Fiber Reactive Dye 2 Oz. – 30A NEW EMERALD GREEN #PR30A-2 30A StockInfo: 1 $4.50 $4.50
Fiber Reactive Dye 2 Oz. – 34 RUST BROWN #PR34-2 34 StockInfo: 1 $3.95 $3.95
Fiber Reactive Dye 2 Oz. – 56 AZURE BLUE #PR56-2 56 StockInfo: 1 $6.95 $6.95
Fiber Reactive Dye 2 Oz. – 64 ORCHID #PR64-2 64 StockInfo: 1 $3.95 $3.95

2009 Easter Egg Creation

Saturday, April 11th, 2009



2009 Easter Egg

Originally uploaded by Elaine with Grey Cats.

Yesterday, as i thought about observing Easter and spring, i fondly remembered doing pysansky in Philly with Marci (while Deb cross stitched). I might still have some dye packets, but contemplating the time, the mess, the sinus pressure from blowing eggs, i didn’t begin to desire to actually decorate blown eggs.


1998 Photos of Egg Work
1998 Photos of Egg Work

I did want to send some sort of greeting, no matter how late, to my grandparents. Lately i’ve been popping off photo postcards, using adhesive backs on prints i have made at RitzPix. The thought of an image collage in an egg shape seemed to echo the usual striped egg, and then there was the temptation to do image mapping to a 3-D surface. How hard could an egg be?

(more…)